pronoun, the one-woman band you should be listening to

emilytreadgold #1, Features

Debut projects can be daunting, intimidating, but also authentic. A great example of how an artist’s trajectory can change quickly is in Alyse Vellturo’s one-woman act, pronoun. Currently residing in Brooklyn and fresh off her stint at SXSW, we spoke with Alyse to talk about the whirlwind it has been for her since her debut EP, “There’s no one new around you.” debuted in November of last year.

Quiet Company Talks Streaming Culture And SXSW

emilytreadgold Features

Last year I saw Quiet Company for the first time at SXSW and I was so mesmerized by their powerful performance and perfect alchemy of melancholy and anger. I thought it only best to catch up with them again this year. I sat down at Shady Grove with Taylor Muse and Bill Gryta after their third show at SXSW to talk about the direction of the Austin live music scene and their new songs.

Remembering a Forgotten Language: The Evolution of Mimicking Birds

emilytreadgold #1, Features

In the biological world, mimicking birds, like parrots and mockingbirds, imitate the songs of other birds – or any other noises in their environment that they happen to fancy, including human speech – for the express purpose of attracting mates. The band Mimicking Birds, however, prefers to flip the script when it comes to etymology. According to front-man and songwriter Nate Lacy, the intriguing name derives mainly from the early song “New Doomsdays,” in which he gives credit where it is due via the lyric “since when we learned to fly, mimicking birds, we share the sky” and to a lesser degree from a tooth whistle he possesses that takes on an avian quality in the vocal delay. It is also the colloquial moniker he took to writing on the tapes he would record in his home long before he expected anyone to ever hear them.